Tag Archives: Iran

Offside

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Panahi winning the Berlin Silver Bear in 2006 ...

Panahi winning the Berlin Silver Bear in 2006 for his Offside (Photo credit: Wikipedia)

Offside (Persian: آفساید ‎) is a 2006 Iranian film directed by Jafar Panahi, about girls who try to watch a World Cup qualifying match but are forbidden by law because of their sex. Female fans are not allowed to enter football stadiums in Iran on the grounds that there will be a high risk of violence or verbal abuse against them. The film was inspired by the director’s daughter, who decided to attend a game anyway. The film was shot in Iranbut its screening was banned there.

Most of the characters in the film are not named.

A girl disguises herself as a boy to go attend the 2006 World Cup qualifying match between Iran and Bahrain. She travels by bus with a group of male fans, some of whom notice her gender, but do not tell anyone. At the stadium, she persuades a reluctant ticket tout to sell her a ticket; he only agrees to do so at an inflated price. The girl tries to slip through security, but she is spotted and arrested. She is put in a holding pen on the stadium roof with several other women who have also been caught; the pen is frustratingly close to a window onto the match, but the women are at the wrong angle to see it.

The women are guarded by several soldiers, all of whom are just doing their national service; one in particular is a country boy from Tabriz who just wants to return to his farm. The soldiers are bored and do not particularly care whether women should be allowed to attend football matches; however, they guard the women carefully for fear of their “chief”, who could come by at any moment. They occasionally give commentary on the match to the women.

One of the younger girls needs to go to the toilet, but of course there is no women’s toilet in the stadium. A soldier is deputed to escort her to the men’s toilet, which he does by an increasingly farcical process: first disguising her face with a poster of a football star, then throwing a number of angry men out of the toilet and blockading any more from entering. During the chaos, the girl escapes into the stadium, although she returns to the holding pen shortly after as she is worried about the soldier from Tabriz getting into trouble.

Part of the way through the second half of the game, the women are bundled into a bus, along with a boy arrested for carrying fireworks, and the soldiers ordered to drive them to the Vice Squad headquarters. As the bus travels through Tehran, the soldier from Tabriz plays the radio commentary on the match as it concludes. Iran defeats Bahrain 1-0 with a goal from Nosrati just after half time and wild celebrations erupt within the bus as the women and the soldiers cheer and sing with joy. The girl whose story began the film is the only one not happy. When asked why, she explains that she is not really interested in football; she wanted to attend the match because a friend of hers was one of seven people killed in a scuffle during the recent Iran-Japan match, and she wanted to see the match in his memory.

The city of Tehran explodes with festivity, and the bus becomes caught in a traffic jam as a spontaneous street party begins. Borrowing seven sparklers from the boy with the fireworks, the women and the soldiers leave the bus and join the party, holding the sparklers above them.

The film was filmed at an actual stadium, at a real life qualifying match for the Iranian National team. And Panahi had two separate outcomes to the film depending on the turnout of the match.

  • Sima Mobarak-Shahi as First girl
  • Shayesteh Irani as Smoking girl
  • Ayda Sadeqi as Soccer girl
  • Golnaz Farmani as Girl with tchador
  • Mahnaz Zabihi as Female soldier
  • Nazanin Sediq-zadeh as Young girl

The film appeared on several critics’ top ten lists of the best films of 2007.

Website

The Night Bus

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The Night Bus (Persian: اتوبوس شب, Otobus-e Shab‎) is the name of an Iranian motion picture directed by Kiumars Pourahmad. It was made in 2006 and released in 2007.

The Night Bus

The Night Bus

The film, which is in sharp monochrome, relates the story of a twenty-four-hour-long journey of two young Iranian soldiers (Issā and Emād) and a civilian driver (Amu Rahim) transporting thirty-eight Iraqi prisoners of war, taken from behind the Iraqi line, to a garrison inside Iran. From the details one is informed that the Iran–Iraq War has entered into its third year. The film masterfully depicts the deep inhumanity of acts of war amongst nations by showing the shared humanity of the combatants on both sides. Some scenes of the above-mentioned garrison are reminiscent of those of the 1965 British film The Hill.

In the film, the Iranian characters speak Persian amongst themselves, with a variety of regional accents — emphasising the national character of the war effort, but broken Arabic, comprehensible to a Persian-speaking person, when addressing the Iraqi prisoners. The Arabic dialogues of the film, by the prisoners, are accompanied by Persian subtitles.

  • Khosrow Shakibā’í: Amu (Uncle), and at times Amu Rahim (Uncle Rahim) and Āghā Joon (Sir my soul), the bus driver. Although it is never stated, the film suggests that Amu Rahim’s own son is an Iranian POW in Iraqi hands.
  • Mehrdād Sedighiān: Issā (Jesu[disambiguation needed ]), the 18-year old Iranian soldier from Abadan; he is often called by Amu Rahim, somewhat derogatorily, as Bach’cheh (Child, Juvenile); as the emotional bond between the two strengthens, Amu calls Issā once as Issā Jān (Issā my soul). Issā has entered into military service at the age of 16, when his father was killed while defending Abadan; at the outset of the War, the father had sent his entire family, with the exception of Issā, to his brother’s home in another Iranian city for safety.
  • Amir-Mohammd Zand: Emād, the second and the more senior Iranian soldier/officer. Emād had just started studying in London when the War broke out, whereon he volunteered as an officer in the army.
  • Elnāz Shākerdoust: Reyhāneh, wife of Emād. She and Emād, along with her parents, had been living in London. When Emād volunteered to serve in the War effort, she returned with Emād to Iran, leaving the parents in London.
  • Mohammad-Reza Foroutan: Fārouq (Fārouq Abd al-Amir), an Iraqi POW whose father is Iraqi and mother Iranian. It turns out that two of Fārouq’s brothers are on the run from the henchmen of Saddam Hossein and a third brother and a sister are in Saddam Hossein‘s jails, awaiting execution.
  • Kourosh Soleimani: Sirvān (Sirvān Foād), an Iraqi POW from Iraq’s Kurdistan and a recent medical graduate. Prior to the War, Sirvān had been studying medicine in London; he had only returned to Iraq for bringing his family into safety, but forcefully drafted into the Iraqi army.
  • Ahmad Kavari: An Iraqi POW and a member of Iraq’s Baath Party.
  • Mehrān Nātel: An Iranian tank driver from Esfahan (this as betrayed by his Esfahani accent) who despite having fought valiantly and helped capturing some tanks from Iraqis, seems to be unable to think ill of any one; he appears to live mentally in an Utopian world of his own. Although Mehrān Nātel’s appearance in the film is very brief, he shows himself as another extraordinarily talented young actor of the Iranian cinema.

Directed by Kiumars Pourahmad

Ekhrajiha

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Masoud Dehnamaki iranian journalist فارسی: مسع...

Masoud Dehnamaki iranian journalist فارسی: مسعود دهنمکی ردبیر و مدیرمسؤول و فیلم‌ساز (Photo credit: Wikipedia)

Ekhrajiha (Persian: اخراجی ها‎, English: The Outcasts) is a 2007 Iranian film, written and directed by Masoud Dehnamaki, set during the Iran–Iraq War.

The film is Dehnamaki’s first feature film, after he directed two documentaries about social problems in Iran. Dehnamaki is known to be one of Iran’s most extreme ultra-conservatives, with his viewpoints being extremely controversial.

The film had also broken all box-office records in Iran, earning nearly 1 billion toman only twenty-eight days after its release and finishing its run with over 2 billion toman. Additionally the film is one of few Iranian war movies in which the heroes are extremely flawed and shown to commit acts often viewed as “immoral” by authorities in Iran.

The movie, set in 1988 begins when Majid (Kambiz Dirbaz), a local thug from Southern Tehran is freed from prison along with his friend Amir (Arzhang Amirfazli). To avoid embarrassment, Majid and his friends have told his family and neighborhood that Majid is returning from Hajj at Mecca. His lie though is revealed after some mistakes by Amir and his other friend Bayram (Akbar Abdi).

Majid has been attempting to show that he is an honorable man so he can marry Narges (Niousha Zeyghami), the daughter of Mirza (Manouchehr Azar); a pious man in the neighborhood. Bayram on the other hand wants to marry Majid’s sister Marzieh (Negar Forouzandeh). In order to impress Narges and her father, Majid decides he must go to the front and fight against the Iraqi Army.

Majid, Amir, Bayram, Mostafa (Alireza Osivand), Bijan (Amin Hayai) and a local musician sign up for the war and head off to training. Here they are met with opposition by Haj Saleh (Mohamad Reza Sharifinia) and Kamali (Ghasem Zareh), who question their faith as Majid and his friends don’t pray, gamble, use foul language, smoke and use drugs. They are eventually kicked out of training but with the help of an acquaintance from the neighborhood named Morteza (Javad Hashemi) they are allowed to go back to training.

Morteza attempts to “reform” Majid and his friends as they go through the last days of the Iran–Iraq War.

No One Knows About Persian Cats

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Bahman Ghobadi at the press conference about h...

Bahman Ghobadi at the press conference about his new film "Nobody knows about Persian Cats" (at the 57th San Sebastián Film Festival) (Photo credit: Wikipedia)

No One Knows About Persian Cats (Persian: کسی از گربه های ایرانی خبر نداره‎) is a 2009 Iranian film directed by Bahman Ghobadi produced by Wild Bunch. Originally titled Kasi az Gorbehaye Irani Khabar Nadareh, in the film’s native language, Persian, this film first took on the name of Nobody Knows About The Persian Cats before finally being titled No One Knows About Persian Cats. The film offers perspective of Iran as it explores its underground Rock scene. It won the Special Jury Prize Ex-aequo in the Un Certain Regard section at the 2009 Cannes Film Festival.

About Elly

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Deutsch: Asghar Farhadi präsentiert als Gast d...

Deutsch: Asghar Farhadi präsentiert als Gast der Viennale 2009 im Stadtkino seinen Film Alles über Elly. English: Asghar Farhadi at the screening of his movie About Elly during the Vienna International Film Festival 2009. (Photo credit: Wikipedia)

About Elly (Persian: درباره الی‎, translit. Darbareye Elly) is a 2009 Iranian film directed by Asghar Farhadi. It is the fourth film by Farhadi. The film is about the relationship among some middle class families in Iran.

Farhadi won the Silver Bear for Best Director at the 59th Berlin Film Festival for the film. The film was also nominated for 10 awards at the 27th Fajr International Film Festival in Tehran where Farhadi won the Crystal Symorgh for best directing. About Elly was Iran’s official submission for the competition in Foreign Film section at the 82nd Academy Awards. It competed against films such as Bist, Tardid, Bipooli for Iran’s submission in the Academy Awards.

A group of middle-class Iranian friends travel to the shores of the Caspian Sea on a three-day vacation. They are former classmates at the Law faculty in the university. Three couples include Sepideh and her husband Amir who have a little daughter. Shohreh and her husband Peiman who have two children including their little son Arash. Nazi and her husband Manoochehr are the third family. The trip is planned by Sepideh, who brought along her daughter’s kindergarten teacher Elly in order to introduce her to Ahmad, a friend who has come back from Germany for marriage.

They all go to the villa that Sepideh has booked from Tehran, but the rural woman in charge tells them that the owners of the place are coming back tomorrow, so they can’t stay there. The old woman suggests that they stay in a deserted villa that needs a lot of repairs. There is no cellphone reception there and they have to go to the old woman’s house in order to make calls. Sepideh lies to the old woman about the relationship between Elly and Ahmad: she says they’re married and are there for their honey moon.

Elly is a little shy, but she begins to feel attracted to Ahmad, who seems to feel the same way. She calls her mother and lies to her saying that she’s with her co-workers at the sea-side. She wishes to go back to Tehran the following day, as planned. Sepideh does not want her to leave and hides her luggage. In a twist of events, Elly goes missing after one of the mothers asks her to watch the children playing in the water. The group does not know whether Elly drowned or left for Tehran on her own.

Crew

The White Meadows

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Panahi winning the Berlin Silver Bear in 2006 ...

Panahi winning the Berlin Silver Bear in 2006 for his Offside (Photo credit: Wikipedia)

The White Meadows (Persian: Keshtzarhaye sepid‎) is a 2009 Iranian film written, directed and produced by Mohammad Rasoulof. The film was edited by leading Iranian filmmaker Jafar Panahi and stars Hassan Pourshirazi as Rahmat.

Mohammad Rasoulof was born in Shiraz, Iran in 1972. He received a degree in Sociology from Shiraz University and studied film editing at the Sooreh University in Tehran. His first feature film is the docudrama The Twilight, and his second feature, Iron Island, was selected for the Directors’ Fortnight in Cannes. He also directed Head Wind, a documentary about the restrictions currently imposed in Iran on using satellites and the Internet. The White Meadows is his third feature film.

In a dreamlike yet earthbound film, Rahmat the boatman navigates the increasingly brackish waters of Lake Urmia, collecting the heartaches and tears of its’ inhabitants. But he remains powerless against their misguided attempts to appease the gods and make the land green again, whether by offering a bride to the sea or forcibly ‘treating’ the eyes of a painter who sees in different colors. Drawing firsthand on the challenges faced by Iranian artists of today, writer-director Mohammad Rasoulof’s deeply atmospheric and poetical film is a gorgeous allegory of intolerance, brutality and mystified routine that resonates far beyond any one state’s borders.

To the Moon

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To the Moon from Mahtab Entertainment “Growing up in Iran where bombs frequently fell from the sky, a free-spirited girl leaves behind her father and moves to America to find freedom.  Only to realize the oppression has followed her all the way to LA.”

  • Cast
  • Solmaz Niki-Kermani as Mahtab
  • Navid Negahban as Papa
  • Nick Thurston as Jason
  • Jamie Harris as Julian
  • Van Epperson as Jim
  • Shari Vasseghi as Mom
  • Nooshafarin Abdi as Aunt
  • Crew
  • Writer-Solmaz Niki-Kermani
  • Director-Damian Harris
  • Producer-Russell Boast
  • Tobias Datum-Cinematographer
  • Yukako Shimada-Editor

 

A Separation

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Français : Leila Hatami au festival de Deauville

Français : Leila Hatami au festival de Deauville (Photo credit: Wikipedia)

A Separation (in Persian: جدایی نادر از سیمین‎ Jodái-e Náder az Simin, “The separation of Nader from Simin”) is a critically acclaimed 2011 Iranian drama film written and directed by Asghar Farhadi, starring Leila Hatami, Peyman Moaadi, Shahab Hosseini, Sareh Bayat and Sarina Farhadi. It focuses on an Iranian middle-class couple who separate, and the conflicts that arise when the husband hires a lower-class caretaker for his elderly father, who suffers from Alzheimer’s disease.

A Separation won the 84th Academy Award for Best Foreign Language Film in 2012, becoming the first Iranian movie to win the award. It received the Golden Bear for Best Film and the Silver Bears for Best Actress and Best Actor at the 61st Berlin International Film Festival, becoming the first Iranian film to win the Golden Bear. It also won the 69th Golden Globe Awards for the Best Foreign Language Film. The film was nominated for the Best Original Screenplay Academy Award, a rare occurrence for a foreign language film.

Nader (Peyman Moaadi) and Simin (Leila Hatami) have been married for fourteen years and live with their eleven-year-old daughter Termeh (Sarina Farhadi) in Tehran. The family belongs to the urban upper middle-class and the couple is on the verge of separation. Simin wants to leave the country with her husband and daughter, as she does not want Termeh to grow up under the prevailing conditions. This desire is not shared by Nader. He is concerned for his elderly father (Ali-Asghar Shahbazi), who lives with the family and suffers from Alzheimer’s disease. When Nader decides to stay in Iran, Simin files for divorce.

The family court judges the couple’s problems insufficient to warrant divorce and rejects Simin’s application. Simin leaves her husband and daughter and moves back in with her parents. On the recommendation of his wife, Nader hires Razieh (Sareh Bayat), a young, deeply religious woman from a poor suburb, to take care of his father while he works at a bank. Razieh has applied for the job without consulting her hot-tempered husband Hodjat (Shahab Hosseini), whose approval, according to tradition, would have been required. Her family is financially dependent on the work, and she takes her daughter to the house with her.

Razieh soon becomes overwhelmed by taking care of Nader’s father, which is physically and emotionally demanding. On the first day of work, when she finds that the old man is incontinent, she phones a religious hotline to ask if it would be a sin for her to clean him. Assured that it would be acceptable, she continues in the job, but later hopes to get her husband into the position, without revealing that she had first worked there. She finds the work very heavy, especially as she is pregnant. Nader interviews Hodjat and hires him, but Hodjat, who is heavily in debt, is jailed by his creditors on the day he is due to start, and so Razieh returns to work for Nader.

Iranian Actors & Actresses

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Abdolali Homayoon
Adrian Pasdar

Adrian Pasdar

Adrian Pasdar

Ahmad Ghadakchian
Ahmad Najafi
Ahmad Saatchian
Akbar Abdi
Ali Ghorbanzadeh
Ali Mosaffa
Ali Nassirian

Ali Sadeghi

Ali Sadeghi

Ali Sadeghi
Amin Hayai
Amin Nazemzadeh
Amin Tarokh
Amir Jafari
Amrolah Saberi
Atila Pesyani

Bagher Sahraroodi

Bagher Sahraroodi

Bagher Sahraroodi
Bahman Farmanara
Bahman Ghobadi
Bahman Mofid
Bahman Zarrinpour
Bahram Radan
Behrouz Vossoughi
Behzad Farahani
Bizhan Emkanian

Bob Yari

Bob Yari

Bob Yari
Bijan Daneshmand
Sirous Ebrahimzadeh
Danial Hakimi
Dariush Arjmand
Davoud Rashidi
Enayat Bakhshi
Esmat Safavi
Ezzatollah Entezami
Ezatallah Ramezanifar
Bijan Daneshmand
Faramarz Gharibian
Fariborz Arabnia
Farokhlagha Hushmand
Fazlollah Yousefpour
Fath Ali Oveisi

Firouz Behjat-Mohamadi

Firouz Behjat-Mohamadi

Firouz Behjat-Mohamadi
Garsha
Habib Rezaei
Hadi Eslami
Hamid Goudarzi
Hamid Tamjidi
Hamed Komeyli
Hasan Khayat-Bashi
Hamid Farrokhnezhad
Hamid Jebeli
Homayoun Ershadi
Hosein Amirfazli
Hossien Panahi
Hossein Sarshar
Hossein Kasbian
Hossein Yari

Iraj Ghaderi

Iraj Ghaderi

Iraj Ghaderi
Iraj Rad
Iraj Tahmasb
Jahangir Almasi
Jahangir Forouhar
Jalal Pishvaian
Javad Razavian
Jamshid Hashempour
Jamshid Layegh
Jamshid Mashayekhi
Kayvon Zand
Khosrow Shakibaee

Kambiz Dirbaz

Kambiz Dirbaz

Kambiz Dirbaz
Mahmoud Pakniat
Majid Majidi
Majid Mozaffari
Mansour
Mehdi Bajestani
Mehdi Fathi
Mehdi Hashemi
Mehdi Solouki
Mehran Ghafoorian
Mehran Modiri
Mohammed Ghaffari
Mohamad Kasebi
Mohammad Ali Fardin
Mohammad Ali Keshavarz
Mohamad Ali Sepanlou
Mohammad Reza Foroutan

Mohammad Reza Golzar

Mohammad Reza Golzar

Mohammad Reza Golzar
Mohammad Reza Jozi

Mohammad Reza Sharifinia

Mohammad Reza Sharifinia

Mohammad Reza Sharifinia
Mohammad Reza Zandi
Morteza Ahmadi
Morteza Shayesteh
Nasser Malekmoti’e

Navid Negahban

Navid Negahban

Navid Negahban
Nozar Azari
Nosratolah Vahdat
Nosratolah Karimi
Omid Djalili
Parsa Pirouzfar
Parisa DeFaie
Parvin Dowlatshahi
Parviz Fannizadeh

Parviz Parastouee

Parviz Parastouee

Parviz Parastouee
Parviz Pourhosseini
Parviz Sayyad
Pejman Bazeghi
Rambod Javan
Reza Jhian
Reza Kianian
Reza Rouygari
Reza Shafiei Jam
Reza Salehi
Sadegh Bahrami
Saeed Poursamimi
Saeed Rad

Setareh Eskandari

Setareh Eskandari

Setareh Eskandari
Shahab Hosseini
Shahram Haghighat Doost
Siavash Tahmasb
Solmaz Niki Kermani

Solmaz Niki-Kermani

Solmaz Niki-Kermani

Soroush Sehhat
Soroush Goudarzi
Tahmoures Tehrani

Tahmoures Tehrani

Tahmoures Tehrani

Hamid Taati
Valiyollah Shirandami
Yousef Teymouri

Hichkas

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Soroush Lashkari (Persian: سروش لشکری‎; born May 10, 1985) better known by his stage name Hichkas (Persian: هیچکس‎; meaning “Nobody”)is an Iranian rapper based in Tehran.  Hichkas is considered[by whom?] as one of pioneers of “Persian Rap” and “Persian Urban music“.  He has never received official permission to release his music legally in Iran since most western-style music is banned in the country.

Hichkas is one of the first Iranian Rappers that his works has made success.In about 2003, he started his works in Vanak with covering some English Language songs.Hichkas gained attention when he began rapping in Persian about social problems and young generation in Iran.Releasing his first album, made his name much reputable in Iranian community.  Hichkas has a unique theistic and nationalisitic lyrics style, avoiding vulgar words, referring to social issues. 

Reveal and Hichkas Tehran/Iran

Reveal and Hichkas Tehran/Iran (Photo credit: Wikipedia)

He uses Persian traditional music elements combined with western music.